P4
EDL SHOT LIST
TITLE: MVI_782000000
FCM: NON-DROP FRAME
001 AX NONE C 00:00:08:23 00:00:18:01 00:00:00:00 00:00:09:03
* FROM CLIP NAME: MVI_3898.MOV
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A3)
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A4)
AUD 3 4
002 AX NONE C 00:00:10:11 00:00:16:22 00:00:09:03 00:00:15:14
* FROM CLIP NAME: MVI_3899.MOV
* AUDIO LEVEL AT 00:00:00:00 IS -14.19 DB (REEL AX A3)
* AUDIO LEVEL AT 00:00:00:00 IS -14.19 DB (REEL AX A4)
AUD 3 4
003 AX AA C 00:00:00:00 00:01:15:18 00:00:21:03 00:01:36:21
* FROM CLIP NAME: Childish Gambino - Sober (320 kbps) (ClipConverter.Online).mp3
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A1)
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A2)
004 AX NONE C 00:00:12:01 00:00:18:08 00:00:15:14 00:00:21:21
* FROM CLIP NAME: MVI_3900.MOV
005 AX NONE C 00:00:18:08 00:00:18:08 00:00:21:21 00:00:21:21
FCM: NON-DROP FRAME
005 BL NONE W000 025 00:00:00:00 03:59:37:04 00:00:21:21 04:00:00:00
EFFECTS NAME IS W000
* FROM CLIP NAME: MVI_3900.MOV
* TO CLIP NAME: BL
AUD 3 4
006 AX AA C 00:01:15:18 00:01:23:20 00:01:36:21 00:01:44:23
* FROM CLIP NAME: Childish Gambino - Sober (320 kbps) (ClipConverter.Online).mp3
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A1)
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A2)
007 AX AA C 00:01:23:20 00:01:38:00 00:01:44:23 00:01:59:03
* FROM CLIP NAME: Childish Gambino - Sober (320 kbps) (ClipConverter.Online).mp3
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A1)
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A2)
008 AX AA C 00:01:38:00 00:02:25:13 00:01:59:03 00:02:46:16
* FROM CLIP NAME: Childish Gambino - Sober (320 kbps) (ClipConverter.Online).mp3
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A1)
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A2)
009 AX AA C 00:02:25:13 00:03:10:00 00:02:46:16 00:03:31:03
* FROM CLIP NAME: Childish Gambino - Sober (320 kbps) (ClipConverter.Online).mp3
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A1)
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A2)
010 AX AA C 00:03:10:00 00:03:10:07 00:03:31:03 00:03:31:10
* FROM CLIP NAME: Childish Gambino - Sober (320 kbps) (ClipConverter.Online).mp3
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A1)
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A2)
011 AX AA C 00:03:10:07 00:04:12:00 00:03:31:10 00:04:33:03
* FROM CLIP NAME: Childish Gambino - Sober (320 kbps) (ClipConverter.Online).mp3
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A1)
* AUDIO LEVEL AT 00:00:00:00 IS -3.84 DB (REEL AX A2)
FINAL MUSIC VIDEO
https://youtu.be/sPJEGNM2XH4
I changed the colour of some clips by adding a tint effect that allows me to make the video a certain colour. I did this more than once to make it change to a variety of different colours.
I also increased the saturation and vibrance of most of the clips, to make them brighter and better to look at as the original clips were quite dull at some points, increasing the vibrance makes the video better to look at, and it also matches the mood of the song more as its very upbeat.
In the raw footage, we played the song in the background in order for the actor to sing to. This also made it a lot easier to match the footage with the actual song audio in premiere pro which was very useful when using the clips with lip syncing in them, as I could match it perfectly so everything would be in time with the song.
I also made the cuts and the beats in the song sync together by matching the peak in the audio with the cut as that is where the beat comes in.
LOG RUSHES
I changed the colour of some clips by adding a tint effect that allows me to make the video a certain colour. I did this more than once to make it change to a variety of different colours.
In the raw footage, we played the song in the background in order for the actor to sing to. This also made it a lot easier to match the footage with the actual song audio in premiere pro which was very useful when using the clips with lip syncing in them, as I could match it perfectly so everything would be in time with the song.
I also made the cuts and the beats in the song sync together by matching the peak in the audio with the cut as that is where the beat comes in.
LOG RUSHES
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